Signature Bookworks is Liz Tufte's community-building blog about book design and production for self-publishers. You can find out more about Liz's book design & typesetting services at her website:

Folio Bookworks

Filed Under (Book Design, Book production) by Liz Tufte on July-21-2007

Richard Hendel says:

Designers are to books what architects are to buildings. Designers write specifications for making books just as architects write them for constructing buildings. Even the most seemingly mundane detail needs to be decided, and it is just these tiny particulars that make a design successful. The parts of the book that are most ignored by readers are the ones that often need the most attention from the designer . . . The author’s words are the heart of book design. To solve the design problem for a book, a designer needs to know both what an author is saying (what a book is about) and how it is being said (the actual words being used).
On Book Design by Richard Hendel, p. 33

When I read Hendel’s words, I am in total agreement and I want to add that the relationship between the designer and the author is important. Not only is the designer working with the nuts and bolts of picas and points and margins and folios (I’ll provide a glossary on this blog soon), but the designer is also interpreting the author’s words visually on the page.

So the self-publishing author and designer must have a rapport, an ability to communicate and understand each other.

Internal Tags: ,
Technorati Tags: ,


Comments:
Stephen Tiano on July 22nd, 2007 at 4:57 pm #

Okay, this heads back some in the direction of the notion that a book designer is there to bring the author’s work to the reader without getting in the way. That can still be a partnership, I suppose, with the author; but it’s different from the way I was hearing the word “partner” in what you said earlier about David Carson. I’d still be interested, however, in material that might shed some light on whether Carson really meant that a book designer can be successful while also doing work that draws attention to him- or herself. I guess my gut tells me that that does a disservice to the author, drawing attention from the substance of the book to the form. But part of me, I won’t lie, finds appeal in the idea of creating a book that garners attention by the design. My bad, I suppose.

Liz Tufte on July 22nd, 2007 at 7:56 pm #

http://www.davidcarsondesign.com/?dcdc=top/t
Stephen, here’s a link that shows some of David Carson’s work. He is what I call a star, so he can really push the limits. He’s a graphic designer & type designer extraordinaire. He was the designer of RayGun mag for several years, where his style was very apparent. I would imagine anyone who is publishing a book and hires David Carson wants his distinctive style to be prominent. Working with him is indeed a partnership, and a collaboration. I encourage you to see where a Google search takes you — he continues to do a lot of interesting stuff.

Stephen Tino on July 25th, 2007 at 6:31 pm #

Gott in Himmel! Carson’s stuff blows me away. I wish I were 30 years younger and I knew not to waste my time trying to write the three novels I tried to write. This man really pushes limits that I hope I get to see before I pack it in someday.

Earlier tonight I blogged about my concern that I sense a trend with self-publishers more interested in selling books than making good ones. And I just got done reading Morris Rosenthals’s blog, Self Publishing. He wrote about a—granted, imaginary—conversation with an aspiring self-publisher more interested in selling a book than writing a good book to publish.

A book designer such as David Carson gives me hope. I don’t see him designing a book to put some author’s junk into.

Tell me I’m not being naive. Please.

Post a comment
Name: 
Email: 
URL: 
Comments: